Monday, March 29, 2010
Practice Practice Practice
Learning the Materials
With Sumi-e comes a great deal of unique tools. I find the inkstick and inkstone (suzuri) the most obvious examples. The fresh grinding of ink is something I have not seen before elsewhere. It took some time but I was able to gather all the materials noted, trying to keep to the original sumi-e tools as best as I can. Some materials had to be replaced or improvised, but the ![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGWwzhO9A9Z8bEWXacYaB6H71ZvUyM_nk48nppue8TuoIRccwSagtuueEn6yFZCX-dy2Ek-S8RujNcu_wdubMnasZSLfnZS_-luFLGjHF9w96ByGirDC7PTp4KM8ZiVwPFyGejbeF2vF05/s320/StudioArt_sumi_setup.JPG)
important objects are all present. I am striving to use traditional techniques, all
Labels:
ink,
painting,
studio art class,
sumi-e,
wash
Starting With Sumi
Alliteration aside, Sumi-e is an ancient practice from Japan that has been cultivated over many years, ever since it was imported from China in the 14th Century. Using ink ground from an inkstick (sumi) many different effects can be produced. Varying the ratio of water and ink can affect the tone and the angling of the brushstrokes can create different gradients. Sumi-e is greatly influenced by the spiritual teachings of Zen and this influence has led to many beautiful works of art. While I do not expect to achieve such a level, I hope to make something acceptable and perhaps learn a thing or two along the way.
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